ATOMOS Ninja RAW

• Superhelles 5-Zoll-HDR-Touchscreen-Display mit 1500 Nits
• Kamerasteuerung – Start/Stopp, ISO, Verschlusszeit, Blende und Weißabgleich direkt am Monitor verwalten
• Aufnahme in Apple ProRes oder ProRes RAW direkt vom Kamerasensor auf CFexpress Typ B oder externen USB-C-Speicher
• Unterstützt ProRes RAW, ProRes RAW HQ, ProRes LT, 422 und 422 HQ
• Dateikompatibel mit allen führenden NLEs, inkl. DaVinci Resolve, Adobe Premiere Pro, Apple Final Cut Pro und Avid Media Composer
• Vollständiges Set professioneller Monitoring-Tools, inkl. EL Zone™ False Color, Fokus-Peaking, Waveform u. v. m.
• Enthält einzigartige Tools wie Onion-Skin-Overlay zum Frame-Vergleich oder zum Ausrichten von Shots
• 2× USB-C-Ports für externen Speicher* oder Netzwerkadapter* (*separat erhältlich)
• Robust und zuverlässig – für reale Produktionsumgebungen gebaut
• Super mobil – Betrieb mit NP-F-Akkus, USB-C-Powerbanks oder DC-Netzteil

Dimensions (W x H x D mm): 151 x 92 x 36mm
Weight: 400g
Mount points: 1x anti-rotation 1/4-inch & 3/8-inch, top and bottom

Environmental:
Ambient operating temp.: Up to 40° C

Construction:
Body: Aluminium with ABS plastic
Cooling: Actively controlled fan and heat sind

Power:
Input Voltage: 6.2V to 16.8V DC
Operating power: Up to 30W
Multi-function button: Power / lock screen

Continuous power: Via NP-F battery or USB-C PD Power

DC in connector: Via Battery Eliminator (optional)

DTAP: Up to 13W

USB PD IN: 45W capable, power supply required

USB PD OUT: Up to 13W

Display:

Size: 5.2-inch

Resolution: 1920 x 1080

Backlight Type: Edge lit

Brightness (cdm2 / Nits): 1500

Aspect Ratio: 16:9

Color Gamut: Rec.709

Calibration support: Calibrite Display Pro or Display Plus on PC/Mac with Atomos LANC cable (ATOMCAB018, sold separately)

Color Pipeline:

Gamma: Sony SLog / SLog2 / SLog3 / HLG, Canon C-Log / C-Log2 / C-Log3, ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320, / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-Log / HLG, JVC J-Log, Red RedLogFilm / Log3G10 / Log3G12, FujiFilm F-Log, PQ (HDR10), HLG, Nikon N-Log

Gamut: BT.2020, DCI P3, DCI-P3 D65, Rec709. Sony: S-Gamut / S-Gamut3 / S-Gamut3.cine / BT.2020 / Rec.709. Canon Cinema: DCI P3 / DCI P3plus / Rec.709. Panasonic: V Gamut. ARRI: Alexa Wide Gamut. JVC: LS300. RED: DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut

3D LUT Display: .Cube format

3D LUT Down Stream: Loop out

3DLUT 50/50: Yes

Monitoring Modes: Native / HLG / PQ / 3D LUT

HDR Output Conversion: Log / HDR to HLG / PQ

Video Input:

HDMI: 1 x HDMI (2.0) up to 6Kp30

Locking port: Optional

Wi-Fi: No

USB: 2 x USB-C 2.0/3.0

Bit Depth: 8/10-bit video

Video Chroma Subsampling; 4:2:2

Video Output:

HDMI: 1 x HDMI (2.0) up to 6Kp30

Locking port: Optional

Wi-Fi: No

USB: 2 x USB-C 2.0/3.0

Bit Depth: 8/10-bit video

Video Chroma Subsampling: 4:2:2

Metadata:

HDMI: RAW - white balance, exposure index, shutter speed/angle, Iris F stop, ISO, gamma, gamut

Network:

USB: 2 x USB-C 2.0/3.0

Connectivity:

Bluetooth: No

LANC: Yes

Audio: In/Out  

HDMI: 8-channel, 24-bit

Analogue Audio Line In: 3.5mm headphone jack, 2-channel input

Headphone Out: 3.5mm headphone jack, 2-channel

Timecode:

Embedded: HDMI

Time of day: Yes

Reference / Genlock Input: No

LTC: No

Wireless AirGlu RF Server and Client: No

Wireless AirGlu BT Server: No

Resolution & Frame Rates (Record, Monitor & Playback):

RAW: Up to 6Kp30

4K DCI: 23.98/24/25/29.9/30/50/59.94/60p

4K UHD: 23.98/24/25/29.9/30/50/59.94/60p

2K DCI: 2048 x 1080 Yes

1080p: 23.98/24/25/29.9/30/50/59.94/60/100/120p

1080 PsF: Converted to P and looped out PsF

1080i: 50/59.94/60i

720p: 50/59.94/60p

Supported Media:

CF Express: Atomos certified CF Express Type B media

USB: Atomos certified USB 3.0 media

File System: ExFAT

Codecs:

Apple ProRes RAW: ProRes RAW, ProRes RAW HQ

Apple ProRes: LT, 422, 422 HQ

Avid DNxHD: DNxHD 220x, 220, 145, 36

Avid DNxHR: LB, SQ, HQ, HQX

H.265: LQ, MQ, HQ, XQ in 8/10-bit, 4:2:2 and 4:2:0

Playback:

Playlist: Yes - create customer playlists from full or sub-clips

Loop: Yes - with user-customizable in/out markers

Apple ProRes RAW: Yes - recorded clips

Apple ProRes: Yes - with linear PCM audio

Avid DNx: Yes - with linear PCM audio

H.265: Yes

Recording:

Pre-roll: ProRes, DNxHD only

Timelapse: Yes

Simultaneous Proxy Record: Yes

On-screen Monitoring Tools:

Waveform: 3 sizes – adjustable opacity & brightness

RGB Parade: 3 sizes – adjustable opacity & brightness

Vectorscope: 2 sizes – adjustable opacity & brightness

1 x Zoom: Yes. 1:1 pixel mapping for 4K

2 x Zoom: Yes

Focus peaking: Colour selected / threshold setting / colour / mono / edges only

Atomos False Color: Yes, with scale

ARRI False Color: Yes

EL Zone: Yes

Zebra: Yes, adjustable

Isolate color channel: Blue only

Cine Frame Guides: Presets for 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3

Social Frame guides: Presets for 9:16, 1:1, 191:1, 4:5

Onion Skin: Yes

Safe Areas: Action and graphic

Grid markers: 9 grid

Anamorphic desqueeze: 1.25x, 1.33x, 1.5x, 1.6x, 1.65x, 1.79x, 1.8x, 2x

Display Flip: Vertical only

Onboard Signal Processing:

Pulldown removal: 24 / 25 / 30 pSF > 24 / 25 / 30p (2:2 pulldown), 60i > 24p (3:2 pulldown)

4K UHD downscale for HD: Loop out - 4K UHD to HD

DCI Crop: Loop out - 17:9 to 16:9 crop

Remote Control:

HDMI: Auto HDMI trigger, supported protocols - Canon, Sony, Atomos

Serial 2.5mm Jack: Calibration via optional USB to serial cable

AirGlu BT: No

AirGlu RF: No

Camera Control:

USB-C: Start/stop recording, ISO, shutter, aperture, frame rate, touch to focus (with supported cameras)

1 x Ninja RAW monitor-recorder
1 x USB-C locking cable adaptor
1 x HDMI locking cable adaptor
1 x USB-C locking cable (45cm)
1 x Quick Start Guide