ATOMOS Sumo19 SE
Art.Nr. ATOMSUMSE119″ 1200nits 4K HDMI/ SDI, Multi Channel HD Monitor, Recorder & Switcher
With a bright (1200nit), HDR touchscreen covering the DCI-P3 (P3) Color Gamut, the ability to record Apple ProResRAW up to 6Kp30, and a rugged and versatile design, the SUMO 19SE is the perfect addition to an on-set video village. With four independent inputs it can also be be used to switch and record each ISO stream up to 1080p60 and has full-sized XLR connectors for professional audio workflows.
Record up to 6Kp30 ProRes RAW
Unlock the true potential of SDI RAW cinema cameras with the Sumo 19SE.
Preserve the pristine quality of the data from the camera sensor by
recording in Apple ProRes RAW at up to 6Kp30, 4Kp60 DCI/UHD, and 2Kp240
DCI/HD, or record in CinemaDNG at up to 4Kp30 DCI. Sumo 19SE is
compatible with the Sony FS series cameras, Canon C300MKII/C500,
Panasonic EVA-1/Varicam LT, and more.
10-bit ProRes and DNxHR/HD up to 4Kp60
Video from any camera or digital video source can be captured via SDI or
HDMI. Record up to 10-bit 4:2:2 in Apple ProRes or Avid DNxHR codecs at
4Kp60. With support for multiple inputs via SDI, the SUMO 19SE provides
the ability to record up to 4 x inputs and also supports ProRes LT and
DNxHD 36 for extended recording times.
High-bright & HDR monitoring
With 1200nit brightness, 19-inch, 1920 x 1080, and 10-bit processing all
built into a rugged enclosure, the SUMO 19SE is at home in any
location. SDI and HDMI i/o supports a wide range of inputs and provides
signal cross conversion with 4K>HD down conversion options.
Live Quad-channel HD Switching & Recording
Record up to four 1080p60 streams simultaneously (via 3G SDI Level A
Only) as separate ISOs, as well as a fifth “program” channel of your
switched feed, whilst cueing and switching in real-time. Display the
resulting mixed output (via HDMI or SDI) live on set or use an HDMI to
USB capture device to output the switched feed for live streaming.
Switching is asynchronous, eliminating the need for expensive locked
sources and allowing the use of more affordable cameras that do not
support timecode/genlock inputs.
Two stereo balanced XLR inputs with 48V
The full-size XLR connectors with 48V phantom power allow you to connect
two external microphones with balanced analog audio recording and
monitoring. The SUMO 19SE also has dedicated meters, gain controls, and
adjustments for frame delay on each channel. Mic or line-level audio can
be seamlessly synchronized with embedded audio from HDMI and SDI
sources.
- 1200 nit HDR touchscreen covering DCI-P3 color gamut
- Record in Apple ProRes RAW via SDI up to 6Kp30
- 4 x HD ISO Switching & Recording + Program record via 3G SDI inputs (Level A only)
- 10-bit 4:2:2 Apple ProRes or Avid DNxHR at 4Kp60
- Power from A/C or use dedicated Battery XLR inputs for Continuous power from external batteries
- BattWing included to mount your choice of V-Lock / Gold mount batteries
- 100 x 100 VESA mount, 3/8” and 1/4”-20 mount
- Same rugged and versatile design as the SUMO 19 and compatible with the same accessories
| Physical Specifications | |
| Dimensions (W x H x D mm) | 504mm x 310mm x 63mm / 19.8" x 12.2" x 2.5" |
| Weight (grams/lbs) with out battery / accessories | 6.2kg / 13.7lb |
| Mount points | Top: 4 x 1/4' 20, 2 x 3/8", Bottom: 6 x 1/4' 20, 3 x 3/8" Right: 4 x 1/4' 20, 2 x 3/8", Left: 2 x 1/4' 20, 1 x 3/8" |
| VESA Mount | 100 x 100 |
| Environmental | |
| Ambient operating temperature (C/F) | Up to 40 Degrees Celsius |
| Construction & Control | |
| Touch Screen | Yes |
| Body | Aluminium alloy chassis with ABS Polycarbonate back plate |
| Multi-function button | Power / lock Screen |
| Cooling | Actively controlled fan and Heat Sink |
| Tally light | Rear and front |
| Power | |
| Input voltage range | DC 12-16.8v |
| Operating power | 75W |
| Compatible batteries | V-Lock / Anton Bauer via XLR terminal, (optional mounting plates available), 95Wh+ recommended. |
| Battery voltage | 14.4V nominal |
| Battery Run time Record | Depends on Watt Hours specification of battery used |
| Battery Run time Monitor Only | Depends on Watt Hours specification of battery used |
| Continuous power | Dual Battery input via dedicated 4 pin XLR |
| DC in connector | 1 x 4 pin XLR (12-16.8V) |
| Display | |
| Touchscreen | SuperAtom IPS panel (capacitive touch) |
| Size | 19" |
| Resolution | 1920 x 1080 |
| PPI | 120 |
| Bit depth | 10Bit (8+2 FRC) |
| Backlight Type | Edge, Optically bonded quantum dot |
| Brightness (cdm2 / Nits) | 1200nit (+/- 10% @ center) |
| Aspect ratio | 16:9 Image Display |
| De-interlace mode | Yes |
| Color Gamut | DCI P3 |
| Calibration support | Atomos Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus |
| Color Pipeline | |
| Gamma | Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-log, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm F log, PQ (HDR10), HLG, Nikon N-Log |
| Gamut | BT2020, DCI P3, DCI P3+, DCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, F-Gamut, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
| 3D LUT Display | .Cube format |
| 3D LUT Output | Loop out |
| 3DLut 50/50 | Yes |
| Monitoring Modes | Native / 709 / HLG / PQ / 3D LUT |
| HDR output Conversion | HLG / PQ |
| Color Management | |
| Calibration | Atomos Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus |
| Display controls | Backlight, Lift, Gamma, Gain |
| AtomHDR | Built in Technical Log to HDR EOTF |
| 3D luts | Display, monitor and output, Record, Load via SSD |
| Legalize | Input |
| Video Input | |
| HDMI in | 1 x HDMI (2.0) 4k p60 |
| HDMI RAW | No - HDMI Video only |
| SDI in | 4 x 3G SDI, with 2 x 12G SDI backwards compatible, auto detection |
| SDI RAW | Apple ProRes RAW up to 6Kp30 |
| HDR | Yes with HDMI Auto detection |
| Bit Depth | 8/10Bit Video / RAW up to 12Bit |
| Video Chroma Subsampling | YCbCr 422 |
| File Naming | |
| Standard | S/S/T & Rolling |
| Via SDI | RED, ARRI |
| Video Output | |
| HDMI Out | 1 x HDMI (2.0) 4k p60 |
| SDI loop out | 1 x 12G SDI Backwards compatible Auto detection, level A and B selectable |
| SDI Play out | 1 x 12G SDI Backwards compatible Auto detection, level A and B selectable |
| Video Chroma Subsampling | 422 |
| Bit Depth | 10Bit Video / 12Bit RAW |
| Audio In/Out | |
| Audio Quality | 24-Bit / 48kHz |
| Audio Codec | PCM |
| HDMI | 8ch 24Bit, input dependent |
| SDI | 12ch 24Bit, input dependent |
| Analogue Audio in | 2 x XLR |
| Analogue Audio Out | 2 x XLR |
| Speakers | 2 x 5w |
| Headphone out | 3.5mm 2ch. |
| Web Streaming | |
| USB UVC | Optional via Atomos HDMI to USB Stick |
| Video Signal Conversion | |
| HDMI to SDI | Yes |
| SDI to HDMI | Yes - Video and RAW |
| Timecode / Sync | |
| SDI Embedded | Embedded |
| HDMI Embedded | Embedded |
| Time of day | Yes, Time and Date |
| LTC | LTC via BNC input in Record mode |
| Genlock | Genlock in Playback mode |
| Resolution & Frame Rates (Record, Monitor & Playback) | |
| 6k RAW | up to 6Kp30 Via SDI |
| 4k RAW | up to 4Kp60 via SDI |
| 2k RAW | up to 2Kp240 via SDI |
| 4k DCI | up to 4Kp60 |
| 4k UHD | up to 4Kp60 |
| 2K DCI 2048 x 1080 | up to 2Kp60 |
| FHD 1920 x 1080 Progressive | up to 1080p120 |
| FHD 1920 x 1080 PsF | Pull down |
| FHD 1920 x 1080 Interlaced | 1080i50 / 1080i60 |
| 1280 x 720p | 60p |
| Recording CODEC | |
| CDNG | For SDI RAW inputs only |
| Apple ProRes RAW | up to 12bit 6Kp30 / 4Kp60 |
| Apple ProRes HQ / 422 / LT | up to 4Kp60 |
| Avid DNxHD | up to 1080p60 |
| Avid DNxHR | up to 4Kp60 |
| Pre Roll | Yes (HD 8s, 4K 2s) - Not available in RAW |
| ISO Record | 4 x ISO up to 1080p 60 (3G SDI Level A ONLY) |
| Switched Program Record | Yes Up to 1080p 60 |
| Timelapse | Yes |
| Playback | |
| Playlist | Yes, Create custom play lists from full or sub clips |
| Loop Playback | Yes, with user customisable in / out markers |
| Apple ProRes Raw | Yes, recorded clips with linear PCM |
| ProRes HQ / 422 / LT | Yes with linear PCM |
| Avid DNx HD | Yes with linear PCM |
| Avid DNx HR | Yes with linear PCM |
| CDNG | No |
| Monitoring | |
| SDR | Native, 709, LUT |
| HDR | HLG, PQ Rec2020 |
| De-Interlace | Selectable mode |
| Multi Input / Switching | |
| SDI A/B toggle | Yes, supports up to 12G SDI per input |
| input switching | Yes |
| Dual Input display | Via Multi ISO input mode |
| Multiple SDI input | Up to 4 x 1080p 60 (3G SDI Level A ONLY) |
| Multiview Display | Via Multi ISO input mode |
| Input transitions | Auto or manual XML transition |
| Supported media | |
| Interface | SATA 3 – MasterCaddy |
| Master Caddy I | No |
| Master Caddy II | Yes |
| Master Caddy III | Yes |
| SSDmini | Yes (AtomX SSDmini Handle required) |
| CFast II | No |
| File System | exFAT |
| On screen tools | |
| Waveform | 3 sizes |
| RGB parade | 3 sizes |
| Vector scope | 2 size / Position |
| 1 x Zoom | Yes. 1:1 Pixel mapping for 4k |
| 2 x Zoom | Yes |
| Focus peaking | Colour selected / threshold setting / colour/ Mono / edges only |
| Zebra | Yes, customisable |
| False color | Yes, with IRE scale |
| Isolate color channel | Blue only |
| Cine Frame Guides | 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 |
| Social Frame guides | 9:16, 1:1, 1.91:1, 4:5 |
| Safe areas | SMPTE frame size – Action and Safe |
| Grid markers | 9 grid |
| Anamorphic desqueeze | Display 1.25x, 1.33x, 1.5x, 1.8x and 2x |
| Display Flip | vertical |
| Onboard Signal Processing | |
| 4K UHD downscale for HD | Loop out - 4K UHD to FHD |
| DCI Crop | Loop out - 17:9 to 16:9 Crop |
| I > P | 60i > 24p (3:2 pulldown) |
| PSF > P | 24/25/30pSF > 24/25/30p (2:2 pulldown) |
| Remote control | |
| HDMI | Auto HDMI Trigger, Supported Protocols - Canon, Sony,Atomos Open Standard |
| SDI | SDI trigger camera selectable |
| Serial 2.5mm Jack | LANC control and calibration via optional USB to serial cable |
| Supported Applications | |
| XML | Apple Final Cut Pro |
| Apple ProRes Raw | Apple Final Cut Pro, Adobe Premiere, Avid Media Composer, Grass Valley Edius, ASSIMILATE SCRATCH |
| Apple ProRes | All Applications with support for Apple ProRes in .MOV wrapper |
| Avid DNx | All Applications with support for Avid DNX in .MOV wrapper |
Sumo 19SE unit
1x Master Caddy II
1x BattWing mounting bracket with 4x screws
2x Desktop Feet with 4x 1/4” Mounting screw
AC power supply