Atomos SUMO 19, Live-Switcher, Monitor and Recorder with Atom HDR, records in 4K 12bit RAW, ProResRAW or 10bit ProRes/DNxHR.

    1,995.00 € 1,995.00 € 1995.0 EUR excl. tax

    2,374.05 € 2,374.05 € 2374.0499999999997 EUR gross price

    1,995.00 € net price

    1,995.00 €

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    Record ProRes RAW

    Unlock the true potential of your RAW cinema camera with the Sumo19. Preserve your sensor’s pristine pixels in ProRes RAW at up to 5.7kp30, 4kp120 DCI/UHD and 2kp240 DCI/HD. CDNG supports up to 4kp30 DCI. Sumo19 is compatible with Sony FS series, Canon C300MKII/C500 or Panasonic EVA-1/Varicam LT. Record up to 4kp30 in CDNG.

    HDR in the field and in the studio

    HDR really comes to life on the Sumo19. It’s 19” 1920 x 1080 LCD panel with 10-bit processing takes the RAW/Log/PQ/HLG output from cameras or games consoles and precisely maps to display 10+ stops of dynamic range in real time. Use as a director or client monitor in the field, or an affordable HDR studio monitor.

    10-bit ProRes/DNxHR up to 4Kp60

    Video from any camera or digital video source can be captured via SDI or HDMI. Record up to 10-bit 4:2:2 in ProRes or DNxHR codecs at 4Kp60 or 2Kp240, depending on the camera’s capability. The depth and quality of the image is preserved with data rates of up to 1.8Gbs, 220MB/s.

    Live quad channel HD swithcing and recording

    Live switch four 1080p channels and record each as separate ISOs. Switch between feeds intuitively on-screen with hard cuts. Save space by replacing several boxes in your rack with a single Sumo19.

    Two stereo balanced XLR inputs with 48V

    Use full size XLR connections with 48V Phantom power to connect two external microphones with balanced analogue audio recording and monitoring. The Sumo19 has dedicated meters, gain controls and adjustments for frame delay on each channel. Mic or line level audio can be seamlessly synchronized with embedded audio from HDMI and SDI sources.

    Quad SDI & HDMI 2.0 In/Out

    Seamlessly connect any SDI or HDMI device for monitoring and recording. Cross convert between HDMI 2.0 and 1.5G/3G/6G/12G/Quadlink & Dual link 12G SDI in almost any combination and eliminate the need for specialist converters.

    • 19“

    • 1920x1080

    • 1200nit Display

    • 4K 12 bit Raw Recording

    • HD 240p Recording

    • Switch, mix and record up to 4 HD Signals

    • AtomHDR

    • Continous Power

    • Aluminum Cage


    Without batteries, media & stand

    5.45kg / 12.0lb

    With stand

    6.0kg / 13.2lb

    Dimensions (W x H x D mm)

    504 x 310 x 63mm, 19.8" x 12.2" x 2.5" (without stand)
    504 x 330 x 180mm, 19.8" x 13" x 7.1" (with stand)


    Aluminium alloy chassis with built in armor protection

    Mounting Points

    1/4-20 screw; 4 x top, 4 x bottom, 2 x side
    3/8-16 screw; 2 x top, 2 x bottom, 1 x side
    VESA mount rear


    Operating power


    Compatible batteries

    V-Lock / Anton Bauer via XLR terminal
    (optional mounting plates available)
    95Wh or larger recommended.

    Input voltage (battery)

    14.4V nominal

    Battery time

    Depends on Watt Hours specification of battery used

    DC In

    1 x DC in (12 - 16.8V)

    Continuous power
    * Patent pending

    Primary-secondary battery system.
    Change batteries without losing power
    Loop batteries continuously





    1920 x 1200



    Aspect ratio

    16:9 native

    Color Gamut

    REC709 HDTV

    Look up table (LUT) support

    3D LUT (.cube format)

    Anamorphic de-squeeze

    2x, 1.5x, 1.33x, Panasonic 8:3


    SuperAtom IPS panel (capacitive touch),
    calibration to Rec.709 with optional calibration unit




    Supported Log formats

    Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
    Panasonic Vlog, JVC JLog, Red LogFilm, FujiFilm Flog

    Supported Gamuts

    Sony SGamut / SGamut3 / SGamut3.cine
    Canon Cinema / BT2020 / DCI P3 / DCI P3+
    Panasonic V Gamut
    Arri Alexa Wide Gamut

    Bit depth

    10-bit (8+2 FRC)


    1200nit (+/- 10% @ center)

    HDR input (PQ/HLG)
    HDR output (PQ/HLG)

    Yes / Yes
    Yes / Yes

    Video Input/ loop Out


    1 x HDMI (2.0)


    Quad link 4 x 3G SDI* or up to 12G single link SDI


    Uncompressed true 10-bit or 8-bit 422
    (camera dependent)

    Video Output (Play Out)


    1 x HDMI (2.0)


    1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G


    Uncompressed true 10-bit or 8-bit 422
    (playback file dependent)

    Supported Loop Out Formats

    HDMI to HDMI

    720p 50/60, 1080i 50/60,
    1080p 24/25/30/50/60/100/120
    2160p 24/25/30/50/60

    SDI to SDI

    720p 50/60, 1080i 50/60
    1080pSF 24/25/30
    1080p 24/25/30/50/60/100/120
    2160p 24/25/30/50/60

    Video Signal Conversion

    HDMI to SDI

    720p 50/60, 1080i 50/60,
    1080p 24/25/30/50/60/100/120/200*/240*
    2160p 24/25/30/50/60

    SDI to HDMI

    720p 50/60, 1080i 50/60,
    1080p 24/25/30/50/60/100/120/200*/240*
    2160p 24/25/30/50/60

    Supported Codecs & Frame Rates

    Raw to:
    ProRes RAW


    (CDNG up to 30p only)

    Avid DNxHD

    FS700, FS-5, FS-7, FS-7MkII

    4K DCI; 24/25/30/50/60p
    4K UHD; not supported in camera
    2K; 24/25/30/50/60/100/120/200/240p
    1080; not supported in camera

    C300MKII/C500 CDNG

    4K DCI; 24/25/30p
    4K UHD; 24/25/30p
    2K; not supported in camera
    1080; not supported in camera

    VaricamLT, EVA1

    5.7K DCI; 24/25/30p (EVA1 ProRes RAW only)
    4K DCI; 24/25/30/50/60p
    4K UHD; 24/25/30/50/60p
    2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera

    Onboard Processing

    Pulldown removal

    24/25/30pSF > 24/25/30p (2:2 pulldown)
    60i > 24p (3:2 pulldown)

    4K UHD downscale for HD monitoring

    Yes - Loop-out and playback (Not available in RAW)

    Audio In/Out (48kHz PCM Audio)


    2 or 8ch 24-bit, camera dependent


    12ch 48kHz 24-bit


    2ch balanced XLR analog in/out (direct XLR connection)
    Dynamic range >90dB
    Max signal level +24dBu
    Max analog gain +52dB
    48V Phantom Power for Mic

    Headphone Out


    Built-in Speakers


    Remote Start/Stop


    Auto HDMI Trigger
    Supported Protocols - Canon, Sony, Atomos Open Standard


    SDI trigger camera selectable


    LANC control - Slave


    Playlist / Genlock / LTC

    Yes / Yes / Yes

    CDNG (Recorded content)

    No support

    ProRes (Recorded content)

    All recorded files can playback. Playback in slow motion >= 100fps.

    DNxHR / DNxHD (recorded content)

    All recorded files can playback. Playback in slow motion >= 100fps.


    Pre-roll record

    Yes (HD 8s, 4K 2s)

    Custom timelapse


    Meta data tagging

    Yes (10 tags available)

    Supported media

    2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit for list of tested and approved drives

    Master caddy case

    Master Caddy II (included)
    75mm x 105mm x 12mm

    Master caddy dock

    2.5” SATA to USB 2.0/3.0

    Supported applications

    Supported Applications FCPX/FCP7+ /
    Media Composer 5.0+ / Premiere 5.5+
    EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
    Autodesk Smoke 2015

    XML support

    FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools


    1 year. Extended to 3 years on product registration

    • 1x Sumo Unit

    • 1x Master Caddy II

    • 1x BattWing mounting bracket

    • 4x Screws

    • 2x Desktop Feet

    • 4x ¼“ Mounting Screws

    • 1x AC power supply