Atomos Shogun 7

Art.Nr. ATOMSHG701

Atomos SHOGUN 7“ HDR Pro/Cinema Monitor-Recorder-Switcher


    1,299.00 € 1,299.00 € 1299.0 EUR netto UVP

    1,545.81 € 1,545.81 € 1545.81 EUR brutto UVP

    1,299.00 € netto UVP

    1,299.00 €

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    Mindblowing HDR monitoring with Apple ProRes and ProRes RAW recording and playback

    Designed for professionals that push boundaries with the quality of their videos, this 7-inch screen elevates the image captured by any HDMI or SDI camera to new levels. With 1,000,000:1 contrast ratio and peak brightness of 3000nits, Shogun 7 is the ultimate all-in-one video production tool for creative storytelling.

    Shogun 7 embraces the high production values of RAW and 4K HDR to give you complete control of every aspect of your production, on-set and in post. Meticulously monitor every pixel of SDR or HDR as it’s captured. Record up to 5.7K Apple ProRes RAW* or 4K Apple ProRes directly to affordable SSD drives avoiding the high costs and limitations of SD memory cards. You can even shoot RAW at high frame rates up to HDp240**.

    Add to this asynchronous, multicamera switching and the ability to record in a range of other codecs, and you have more power to achieve your creative vision than ever before.

    *Panasonic EVA1
    **Sony FS Series and EVA1

    Multicamera touchscreen switching – Live mix & record up to 5 streams

    Take full advantage of 4 x SDI inputs and let Shogun 7 step into the role of a portable, quadview live switcher and recorder on your multicamera shoots. Record up to four 1080p60 streams simultaneously as separate ISOs and then cue and switch in real-time with a simple touch of the screen. Display the resulting mixed output (via HDMI or SDI) live on set. You can even output the switched feed for live streaming. Switching is completely asynchronous, eliminating the need for expensive locked sources and allowing the use of more affordable cameras.

    Perfect exposure and colour – Fine tune every detail while you shoot

    A high-quality viewing experience gives you complete confidence to make educated on-set decisions.

    With Shogun 7’s dynamic zoned backlight, blacks are deeper, whites are brighter, and the details of highlights are crystal clear. See what the camera sensor is capturing with unparalleled precision and use the advanced HDR waveform tools from log or RAW to ensure perfect exposure, colour and white balance. Shogun 7 gives you the control to maximise HDR exposure, while feeling comfortable with SDR finishing in post.

    Simple monitoring tools put every detail of the image within your control. From custom 3D LUTs, false color profiles, adjustable focus peaking and movable 1:1 and 2:1 pixel magnification. In addition, RGB parade and vectorscopes ensure perfect colors on your calibrated monitor.

    Shogun 7 gives a low budget feature film a cinematic edge

    How do you make a full-length feature film, with flawless, cinematic values when your camera budget only stretches to cameras already owned by the crew? The team behind action comedy, School Fight, solved this by adding a Shogun 7 to their existing rigs.

    The Shogun 7 is at home on practically any camera

    With its ProRes RAW recording capabilities it works with powerhouses like the Canon C300 mkII, Panasonic EVA 1 and Sony FS5 II to create stunning images with maximum detail and latitude for post production. In addition it can transform older cameras like the Sony FS700R into cinematic RAW shooting machines with advanced features like 4Kp60 and 2Kp240 RAW capture.
    Use with your DSLR or mirrorless camera via HDMI to get up to 4Kp60 Apple ProRes and AVID DNx codecs for easy editing and archival quality. Add it to a high-end ARRI, RED or Sony Venice and you’ll get accurate HDR monitoring and all the tools you need to get your job done.

    Amplify the creative advantages of shooting RAW

    Shogun 7 takes RAW data directly from the camera’s sensor and preserves the unprocessed image. This gives you more freedom to adjust and finesse every aspect of your video in post-production finishing.

    Applying ProRes compression technology to RAW image data adds another edge to your creative workflow. ProRes RAW files are smaller than most proprietary RAW formats so you can import, edit and grade faster and more efficiently. ProRes RAW is supported in Final Cut Pro X, Adobe Premiere and Avid Media Composer

    Dolby Vision- Give on-set HDR monitoring to your client and creatives

    View what you’re capturing through your audience’s eyes before filming has even wrapped. Use Shogun 7 to deliver content via a Dolby Vision live HDMI out, in real-time, from any HDR camera to a compatible Dolby Vision HDR TV or monitor. Shogun 7 ensures you see an accurate representation of your video in maximum brightness and color detail. Use this accurate reference to adjust exposure and lighting accurately for modern TVs. This not only gives the crew more confidence in what they’re capturing, but also speeds up the finishing process.

    • Intuitive touch screen operation

    • Instant playback & review

    • Shot tagging

    • Balanced audio

    • High speed connections

    • Quad SDI & HDMI 2.0 In/Out

    • 7.2“ Screen Size

    • Contrast Ratio 1.000.000:1

    • High Bright 3000nits

    • Resolution 1920x1280

    • 105% DCI:P3 Color Gamut

    • D65 White Point

    • 360 Zones Backlight Control

    • 10 bit Precision

    • Focus Peaking/Outline

    • Exposure LOG/Zebra/False/Blue screen

    • 3D LUTs .cube support

    • Zoom 2:1/1:1 PAN

    • Calibration Auto Calibration with X-rite

    • Scopes WFM/RGB/Vector

    • 12 Gb/s HDMI/SDI

    • 500MB/s Record Write Sata III SSD

    • 120mins Record on 2TB SSD

    • 2TB Playback Read Sata III SSD

    Weight

    Without batteries & media

    709g / 25oz.

    Dimensions (W x H x D mm)

    214 x 127 45mm

    Construction

    Polycarbonate ABS

    Mounting points

    1/4”-20 screw mount. 1x top and 1x bottom

    Power

    Operating power

    10 - 33W

    Compatible batteries

    Atomos NP-F series and supporting accessories

    Input voltage (battery)

    6.2V to 16.8V

    Battery time (based on 2 x 7.4V)

    5200mAh - up to 1.5hrs (monitor & record 4K 30p)


    7800mAh - up to 2.2hrs (monitor & record 4K 30p)

    DC In

    1 x DC in (6.2 - 16.8V)

    Touchscreen

    Size

    7.2”

    Resolution

    1920 x 1280

    PPI

    325

    Aspect ratio

    16:9 native

    Color Gamut

    Up to Wide color gamut (105% DCI-P3)

    Look up table (LUT) support

    3D LUT (.cube format)

    Anamorphic de-squeeze

    2x, 1.5x, 1.33x

    Technology

    Dynamic AtomHDR zoned backlight
    IPS LCD

    Dynamic Atom HDR Technology

    Backlight

    Direct LED

    Zones

    360 direct backlight individual LEDs

    LEDs

    Wide Color Calibrated D65 or D95

    Bit depth

    10-bit (8+2 FRC)

    Color

    DCI-P3 105%

    Brightness

    3000nits (+/- 10%)

    Control

    On the fly real-time brightness analysis for LED control

    HDR Conversion

    Log/RAW to HLG or PQ

    HDR Monitoring Technology

    Gamma

    Sony SLog / SLog2 / SLog3 Canon CLog / CLog2 / Clog3 ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600 Panasonic Vlog JVC JLog1 RED Log3G10 / RED LogFilm FujiFilm F-log Nikon N-Log PQ10k HLG

    Gamut

    Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / DCI P3 / DCI P3+ Nikon Bt2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 / BT.2020 JVC RED WideGamut / RED DragonColor / DragonColor2 / RED Color2 / RED Color3 / RED Color4 /

    Video Output (Play Out)

    HDMI

    1 x HDMI (2.0)

    SDI

    2x 4K-SDI 12G or HD-SDI 3G/6G

    Signal

    Uncompressed true 10-bit or 8-bit 422
    (playback file dependent)

    Audio In/Out (48kHz PCM Audio)

    HDMI

    2 or 8ch 24-bit, camera dependent

    SDI

    12ch 48kHz 24-bit

    Audio

    2ch balanced XLR analogue in/out
    Dynamic range >90dB
    Max signal level +24dBu
    Max analogue gain +52dB
    48V Phantom Power for Mic

    Headphone out

    3.5mm 2ch.

    Supported Codecs & Frame Rates (Record & Playback)

    Raw to:

    ProRes RAW
    ProRes
    CinemaDNG
    (CDNG up to 30p only)
    Avid DNxHD

    Sony^^
    FS700, FS-5, FS-7, FS-7MkII

    4K DCI; 24/25/30/50/60p
    4K UHD; not supported in camera
    2K; 24/25/30/50/60/100/120/200/240p
    1080; not supported in camera

    Canon
    C300MKII/C500 CDNG

    4K DCI; 24/25/30p
    4K UHD; 24/25/30p
    2K; not supported in camera
    1080; not supported in camera

    Panasonic
    VaricamLT, EVA1

    5.7K DCI; 24/25/30p (EVA1 ProRes RAW only)
    4K DCI; 24/25/30/50/60p
    4K UHD; 24/25/30/50/60p
    2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera

    Supported base resolution & FPS from cameras

    4K DCI: 23.98/29.9/59.94p
    4K UHD: 23.98/29.9/59.94p
    2K DCI: 23.98/29.9/59.94p
    1080p: 23.98/29.9/59.94p

    Supported FPS & resolution from gaming consoles and graphic cards

    1080p; 24/25/30/50/60/100/120

    Onboard Processing

    Pulldown removal



    24/25/30pSF > 24/25/30p (2:2 pulldown)
    60i > 24p (3:2 pulldown)

    4K UHD downscale for HD monitoring



    Yes - Loop-out and playback (Not available in RAW)

    Remote Start/Stop

    HDMI

    Auto HDMI Trigger
    Supported Protocols - Dolby Vision, Canon, Sony, Atomos Open Standard

    SDI

    SDI trigger camera selectable

    Other

    LANC control - Slave

    Playback

    Playlist / Genlock / LTC

    Yes / Yes / Yes

    CDNG (Recorded content)

    No support

    ProRes (Recorded content)

    All recorded files can playback. Playback in slow motion >= 100fps.

    DNxHR / DNxHD (recorded content)

    All recorded files can playback. Playback in slow motion >= 100fps.

    Recording

    Pre-roll record

    Yes (HD 8s, 4K 2s)


    Custom timelapse

    Yes*


    Supported media

    2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives


    Master caddy case

    Master Caddy II (included)
    75mm x 105mm x 12mm


    Master caddy dock

    2.5” SATA to USB 2.0/3.0


    Supported applications

    Final Cut Pro / Media Composer / Premiere Pro / After Effects / EDIUS / Vegas Pro / Lightworks / Autodesk Smoke


    Monitoring Features

    Luma Waveform, RGB parade, RGB Overlay, Vectorscope, Vectorscope Zoom, Histogram, RGB Histogram, Anlaysis mode (Multiview scopes: Waveform, Histogram, Vectorscope), Focus Peaking, Zebra, False Color, Blue Only Exposure, Zoom (1:1, 2:1, 4:1), SMPTE Safe Areas, Cinema Guides, Anamorphic Desqueeze.

    • 1x Shogun 7 unit

    • 1x Master Caddy II x1

    • 1x 12V-3A AC power supply

    • 1x Carry Case Quick Start guide